Ward Shelley is an artist who creates architectural constraints (“Stability”, “Flatland”) that confine performers to negotiate together a shared space. It’s a great example of how you can investigate new forms of social interaction with pulleys and rebar instead of computers and Web sites.
They’re reminiscent of MTAA’s 1-Year Performance Project (hosted by U- Me)–or better yet, life in a submarine.
#img1#This article from the New York Times discusses forensic photogrammetry, a way of analysing crime scenes with techniques familiar from 3D modelling. So if that job as a game animator falls through, there’s always CSI…
img1 caption=’Image from the New York Times’
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#img1#This article from the New York Times discusses forensic photogrammetry, a way of analysing crime scenes with techniques familiar from 3D modelling. So if that job as a game animator falls through, there’s always CSI…
img1 caption=’Image from the New York Times’
>
This article from the New York Times discusses forensic photogrammetry, a way of analysing crime scenes with techniques familiar from 3D modelling. So if that job as a game animator falls through, there’s always CSI…
Image from the New York Times
