Anil Dash of dashes.com offers up this provocative companion to NMDNet’s subheading,
I never thought of Twitter’s randomness as an asset, but in this writer’s response I can see a valuable antidote to Facebook’s inbred circles. Following strangers becomes a form of human channel surfing.
I never thought of Twitter’s randomness as an asset, but in this writer’s response I can see a valuable antidote to Facebook’s inbred circles. Following strangers becomes a form of human channel surfing.
People are hungry for a privacy-respecting social network. So hungry that four college kids announce they are going to make an open version of Facebook, and pocket $100,000 in donations in the first two weeks. Read on to find out why so many are steamed up about Facebook and what they intend to do about it.
No, not how to get a job *as* a Ninja. This book covers how to deal with the stress of jobhunting and also how to leverage social media to uncover recruiter information and land that interview. (Hint: time to get a LinkedIn account.)
No, not how to get a job *as* a Ninja. This book covers how to deal with the stress of jobhunting and also how to leverage social media to uncover recruiter information and land that interview. (Hint: time to get a LinkedIn account.)
Just when you thought Facebook’s privacy policy couldn’t get worse.
Just when you thought Facebook’s privacy policy couldn’t get worse.
Facebook raising privacy concerns? Say it ain’t so!
Facebook raising privacy concerns? Say it ain’t so!
relationships, space, architecture, intermedia #imag1#Ward Shelley is an artist who creates architectural constraints (“Stability”, “Flatland”) that confine performers to negotiate together a shared space. It’s a great example of how you can investigate new forms of social interaction with pulleys and rebar instead of computers and Web sites. They’re reminiscent of MTAA’s 1-Year Performance Project (hosted by U- Me)–or better yet, life in a submarine. http://www.wardshelley.com/
relationships, space, architecture, intermedia #imag1#Ward Shelley is an artist who creates architectural constraints (“Stability”, “Flatland”) that confine performers to negotiate together a shared space. It’s a great example of how you can investigate new forms of social interaction with pulleys and rebar instead of computers and Web sites. They’re reminiscent of MTAA’s 1-Year Performance Project (hosted by U- Me)–or better yet, life in a submarine. http://www.wardshelley.com/
Ward Shelley is an artist who creates architectural constraints (“Stability”, “Flatland”) that confine performers to negotiate together a shared space. It’s a great example of how you can investigate new forms of social interaction with pulleys and rebar instead of computers and Web sites. They’re reminiscent of MTAA’s 1-Year Performance Project (hosted by U- Me)–or better yet, life in a submarine. http://www.wardshelley.com/
If Amy Vanderbilt had invented Facebook
If Amy Vanderbilt had invented Facebook
If Amy Vanderbilt had invented Facebook
These whimsical projects by Aram Bartholl remind me of projects from this past semester’s Contagious Media class: http://datenform.de/indexeng.html
These whimsical projects by Aram Bartholl remind me of projects from this past semester’s Contagious Media class: http://datenform.de/indexeng.html
Bookmark this category These whimsical projects by Aram Bartholl remind me of projects from this past semester’s Contagious Media class: http://datenform.de/indexeng.html
New Media at the University of Maine
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