Ward Shelley is an artist who creates architectural constraints (“Stability”, “Flatland”) that confine performers to negotiate together a shared space. It’s a great example of how you can investigate new forms of social interaction with pulleys and rebar instead of computers and Web sites.
They’re reminiscent of MTAA’s 1-Year Performance Project (hosted by U- Me)–or better yet, life in a submarine.
An example of “atompunk,” a style of imagining the 21st century from the vantagepoint of postwar America in the 1950s.
http://www.wired.com/beyond_the_beyond/2009/12/the-electric-friendship-generator/
An example of “atompunk,” a style of imagining the 21st century from the vantagepoint of postwar America in the 1950s.
http://www.wired.com/beyond_the_beyond/2009/12/the-electric-friendship-generator/
An example of “atompunk,” a style of imagining the 21st century from the vantagepoint of postwar America in the 1950s.
http://www.wired.com/beyond_the_beyond/2009/12/the-electric-friendship-generator/