UMaine NMDNet

The first in a series of reports from Montreal’s DOCAM conference on preserving art endangered by technological or cultural obsolescence. What’s going to kill off your installation? Analog media–analog TV signals, video projectors, and even food–are probably the fastest poison. More…

relationships, space, architecture, intermedia #imag1#Ward Shelley is an artist who creates architectural constraints (“Stability”, “Flatland”) that confine performers to negotiate together a shared space. It’s a great example of how you can investigate new forms of social interaction with pulleys and rebar instead of computers and Web sites. They’re reminiscent of MTAA’s 1-Year Performance Project (hosted by U- Me)–or better yet, life in a submarine. http://www.wardshelley.com/

relationships, space, architecture, intermedia #imag1#Ward Shelley is an artist who creates architectural constraints (“Stability”, “Flatland”) that confine performers to negotiate together a shared space. It’s a great example of how you can investigate new forms of social interaction with pulleys and rebar instead of computers and Web sites. They’re reminiscent of MTAA’s 1-Year Performance Project (hosted by U- Me)–or better yet, life in a submarine. http://www.wardshelley.com/

Ward Shelley is an artist who creates architectural constraints (“Stability”, “Flatland”) that confine performers to negotiate together a shared space. It’s a great example of how you can investigate new forms of social interaction with pulleys and rebar instead of computers and Web sites. They’re reminiscent of MTAA’s 1-Year Performance Project (hosted by U- Me)–or better yet, life in a submarine. http://www.wardshelley.com/