Point-and-shoot cameras and the music industry are dying, pundits say. So what’s to come? Pundits have the answer for that too–in fact they have a whole fancy infographic for it.
GM introduced its Electric Networked Vehicle prototypes, one third the size of a typical car, as a way to reduce big urban auto emissions and traffic congestion. The EN-V relies on dynamic stabilization technology similar to that of the one-person Segway scooter to keep its balance, and can be operated autonomously or under manual control. In autonomous mode the EN-V is designed to use high-speed wireless connectivity and GPS navigation to automatically select the fastest route, based on real-time traffic conditions gleaned from the Web or some other networked source of traffic information.”
http://rss.slashdot.org/~r/Slashdot/slashdot/~3/yGpOe8knI9I/GM-Unveils-Networked-Electric-Mini-Cars
GM introduced its Electric Networked Vehicle prototypes, one third the size of a typical car, as a way to reduce big urban auto emissions and traffic congestion. The EN-V relies on dynamic stabilization technology similar to that of the one-person Segway scooter to keep its balance, and can be operated autonomously or under manual control. In autonomous mode the EN-V is designed to use high-speed wireless connectivity and GPS navigation to automatically select the fastest route, based on real-time traffic conditions gleaned from the Web or some other networked source of traffic information.”
http://rss.slashdot.org/~r/Slashdot/slashdot/~3/yGpOe8knI9I/GM-Unveils-Networked-Electric-Mini-Cars
The ‘pre-distressed antique futurity’. William Gibson wrote about this when we was writing about atemporality, associating it with his ‘Zero History’ novel that he is working on. Gibson was saying that if you have a genuinely avant garde idea, something that’s really new, you should write about it or create about it as if it were being read twenty years from now. In other words, if you want to do this, you want to strip away the sci-fi chrome, the sense of wonder. You want it to be antique before it hits the page or the screen. Imagine that it was twenty years gone into the future. Just approach it from that perspective.
No longer allow yourself to be hypnotized by the sense of technical novelty. Just refuse to go there. Accept that it is already passe’, and create it from that point of view. Try to make it news that stays news.
Refuse the awe of the future. Refuse reverence to the past. If they are really the same thing, you need to approach them from the same perspective.
‘Recuperating forms of history that cannot be written.’ This is of tremendous interest. I think it escapes the literary traps of history. Just history that could not be written about. History about people who were not the winners, history about people who had no literatures. Pre- history. Human experience before the historical record was created.
http://www.wired.com/beyond_the_beyond/2010/02/atemporality-for-the-creative-artist/
The ‘pre-distressed antique futurity’. William Gibson wrote about this when we was writing about atemporality, associating it with his ‘Zero History’ novel that he is working on. Gibson was saying that if you have a genuinely avant garde idea, something that’s really new, you should write about it or create about it as if it were being read twenty years from now. In other words, if you want to do this, you want to strip away the sci-fi chrome, the sense of wonder. You want it to be antique before it hits the page or the screen. Imagine that it was twenty years gone into the future. Just approach it from that perspective.
No longer allow yourself to be hypnotized by the sense of technical novelty. Just refuse to go there. Accept that it is already passe’, and create it from that point of view. Try to make it news that stays news.
Refuse the awe of the future. Refuse reverence to the past. If they are really the same thing, you need to approach them from the same perspective.
‘Recuperating forms of history that cannot be written.’ This is of tremendous interest. I think it escapes the literary traps of history. Just history that could not be written about. History about people who were not the winners, history about people who had no literatures. Pre- history. Human experience before the historical record was created.
http://www.wired.com/beyond_the_beyond/2010/02/atemporality-for-the-creative-artist/